The ultimate beginner’s guide to recording drums

In this guide, Gideon Waxman from Drum Helper will explain to you how you can achieve great sounding drums from your own home, by detailing the recording process and offering lots of additional tips.

 

Recording drums is widely regarded as one of the trickiest skills to learn for a studio engineer. This is because there is a lot of equipment to set up, and a lot of tuning involved!

Therefore, the drum set is the most time-consuming instrument to record. So it’s important to take a thought-out and structured approach. It requires patience and a clear vision of what you want to achieve from the recording session.

This guide shows how following basic principles can get you great drum sounds without renting a top studio.

Why go through the effort of recording drums?

Quality drum sounds are at the core 2 of each great-sounding mix. If the drums aren’t sounding good, then the whole mix falls flat.

The drums lay down the foundation of every song and it’s crucial they are balanced, clear, and punchy.

It’s understandable to feel that recording drums to a professional standard is both a challenging and expensive endeavor.

But with modern audio interfaces and DAWs (digital audio workstations) such as Logic and Pro Tools. It is easier than ever before to obtain high-quality drum sounds from your own home.

No matter what style of music you intend on playing, you are able to record drums with less equipment than you might expect. And the recording session can be executed on a budget without compromising on quality.

Equipment used for recording drums

To start off this guide, let’s talk about the recording equipment you’ll need to capture quality drum sounds. Right before we go into the drum set up and tuning let’s talk about gear.

You'll need a drum set, computer, microphones, stands, XLR cables, and an audio interface with enough inputs.

Computer

Recording drums with Logic, Pro Tools, Cubase (or a similar DAW) on a computer removes the necessity for an enormous multi-million-pound recording studio. 

You have the ability to record, edit, and mix all the channels directly on your laptop. A DAW removes the need for expensive studio equipment such as microphone preamps. And analog equipment such as EQs and compressors to process the signal with.

Expensive analog equipment will certainly enhance the sound of the drums from a recording session. But for a beginner, they are not essential and are therefore a luxury.

You can use any computer compatible with a DAW like Logic or Pro Tools. However, just ensure it has connectivity for an audio interface that supports the number of microphones you need. Typically, most modern interfaces utilize USB connectivity.

Microphones

To record the best sound possible, you will need a complete set of optimized drum microphones. Specifically, each microphone is tuned for different parts of the drum set. Typically, a full drum mic kit will be comprised of close mics and overhead mics.

I recommend the Audix DP7 Drum Pack as the best drum mic kit. It delivers premium quality sounds and remains affordable in the long run. The set includes 7 drum mics that capture clear, accurate sounds for each drum component.

• Kick microphone – Audix D6
• Snare microphone – Audio i5
• Rack Tom microphone – Audix D2
• Floor Tom microphone – D4
• Overhead microphone left – ADX51
• Overhead microphone right – ADX51

When buying microphones, I generally recommend buying new; because they will be covered by a manufacturer’s warranty. You can guarantee they are free from damage, and you will avoid the risk of counterfeit microphones.

Drum microphones utilize polar pickup patterns that make them ideal for recording drums. Morevoer, all of the microphones here have cardioid pickup patterns, except for the D2 and D4 mics, which have a hyper-cardioid pattern. This difference provides a tighter response and better feedback rejection. Essentially, these mics reject sound from the back and sides while capturing sound from the front.

Audio interface for recording drums

To record drums you will need an audio interface that can accommodate as many microphones as you intend to use.To record drums at home with a full mic set, you'll need an interface with 8+ mic inputs.

Modern audio interfaces offer high sample rates; have multiple outputs and feature USB connectivity for your computer.

XLR cables

You'll need enough XLR cables for the number of microphones you plan to use. I recommend buying high-quality, gold-plated XLR cables. Make sure they are at least 15 feet long to cover the distance between the microphone and audio interface.

The drum set

You will need your drum set and the best cymbals you can get your hands on for recording drums! A key lesson is that the input quality directly affects the final result.

Similarly, this applies to both the quality of the drummer’s performance and also how the drums themselves sound. If you play a high-end drum set with brand new drum heads and spend the time tuning the drums up. Then the drum sounds will be killer! Combine this with a strong performance marked by clear and tight playing. And you will have great sounding raw stems to work with even before mixing the audio.

For the recording session, it’s best practice to buy brand new drumheads because they provide brighter and focused sounds . New drumheads will noticeably enhance the sound of the drums for the recording.

Drums are required to be tuned and dampened in order to achieve your desired sound. And the drumheads contribute up to 70% of the entire drum sound. Cymbals on the other hand cannot be tuned and their sounds cannot be altered. Cymbals maintain their inherent sound from the day of purchase and poor quality cymbals will protrude a mix. No microphone technique or equipment can prevent bad cymbals from sounding awful. And the same applies to poorly tuned drums.

Tuning drums

Correct drum tuning is essential for achieving a good drum tone. It’s even better when paired with a selection of brand new drumheads for your drum set. It can take a long time to develop an ear for fine-tuning a drum. Luckily there are useful tools called precision drum tuners – which help aid fast and accurate drum tuning.

These devices measure the pitch or pressure of a drum to find tuning inconsistencies. This helps you make precise corrections for even tuning around the lugs.

With or without a precision drum tuner, it’s vital to use your own ears when tuning drums to achieve a clean drum tone, with even pitches around the lugs of the drum.

When tuning drums, an important rule is to tune in opposites. This means your drum has equal tension in pairs across the skin.

Tune-uThese devices measure the pitch or pressure of a drum to find tuning inconsistencies. This helps you make precise corrections for even tuning around the lugs

Your next step is fine-tuning. Gently tap the edge of the drum near each lug to match the pitch. Move around the drum, adjusting each tension rod until the pitches are identical. Loosen or tighten each rod precisely as needed

re is no ‘correct’ pitch to tune to, and drummers will like to have their drums tuned differently. For instance, some professional drummers love their snare drum to be cranked up as high as it can go. On the other hand, others might prefer a vintage-sounding ‘thud’—essentially as low-tuned and muffled as a snare drum can be.

The room

The recording space itself will have a huge influence on the sound captured in the recording. Ideally, you will want the room to offer strong sounds already. But you can adjust the acoustic properties of the room fairly easily.

If you are in a room with lots of carpet and thick curtains the room will sound dead as a result. The sound will be muffled and closed in.

You can introduce some reflective surfaces to make the room sound livelier and have more natural reverberation. For example, large sheets of plywood work great for this. Additionally, if possible, remove any dense and overstuffed furniture or rugs that might be contributing to the dead sound.

If you are recording in an overly live room with lots of reflective surfaces, such as a garage or office space then everything will be too bright. It is easy to treat an overly live room by introducing carpets, sound deadening curtains, blankets, duvets, and pillows to the surrounding area to absorb the excess sound.

Setting up for recording drums

Before you start, remember to keep everything organized and tidy. The last thing you want is a rat’s nest of cables when you’re troubleshooting!

When setting up the drums and microphones make sure you don’t have any stands touching each other. It’ll cause unwanted noise going into the microphone and become a nuisance in the mix.

Plug in your drum mics into the audio interface in the following order and then creating the respective channels in Logic for the microphones in the very same order.

KICK

SNARE TOP

RACK TOM 1

RACK TOM 2

FLOOR TOM

OVERHEAD LEFT (OHL)

OVERHEAD RIGHT (OHR)

How to mic drums

Kick drum

Before getting ready to mic up your kick drum, ensure you have a porthole cut out in the resonant skin. Having a porthole allows you to record the kick drum with more attack and greater definition.

The best size for a porthole is 4 or 5 inches, and cut out the porthole at the 5 o’clock position on the drumhead. Either take the drum to a professional shop or buy a specifically designed porthole cutter.

Placing the microphone closer to the batter head will provide more attack and beater definition. Whereas the further back the microphone is placed, the increased low end the microphone will pick up.

Snare top

When setting up your drum set try and leave a space for the snare microphone and stand between the hi-hat and rack tom. If you want to receive more attack from the snare, aim the microphone at the center. And for more ring, point it towards the edge.

A popular snare drum microphone position is to have the microphone hanging just over the edge and pointing at the center of the drumhead.

If you have too much ring, raise the microphone up and away from the edge but still pointing at the center of the drum. For more ring, take the microphone up and angle it more to the edge of the drum closest to the microphone and away from the center.

Try and keep the hi-hat and rack tom in the rejection zone of the microphone pick-up pattern. For instance, this is my friend Adam Pedder’s drum setup for a recent recording – showcasing my ideal microphone configurations, all facing the center of the drumhead.

Rack tom and floor toms

The placement of each of the tom microphones follows the same approach as the snare microphone. Placing the microphone closer to the edge provides additional ring, and closer to the center offers increased attack.

Drum microphone clips remove the necessity for additional stands and they allow for convenient tom mic placement. They are efficient and practical accessories for recording drums.

Overhead microphones

However, there are a few different microphone placements you can use here. The important thing to remember is no matter what technique you use, the two overhead microphones have to be the same distance away from the snare drum to make sure the snare drum is in phase with the overheads and in the center of your drum mix.

The technique to try first is a Spaced Stereo Pair or A/B. To start, place the microphones over the left (above the hi-hat and crash) and right-hand side of the drum kit (over the ride and second crash). Remember, the higher you place the overhead microphones, the more room sound you'll capture, while the closer they are to the drums, the more direct the drum sound will be.

Phase

Phase is an issue that occurs when the signal from two separate microphones pick up the same sound source and are out-of-sync with one another.

It refers to timing in a technical sense, with each microphone around the drum set capturing sounds at slightly different moments. Phase issues arise when the waveforms from different microphones interfere with each other, leading to cancellation.

The goal is to get all of the microphones working together constructively when recording a full drum set. Successful phase interaction is essential for achieving cohesive drum sounds.

You will be able to see any signs of phase within the waveforms on your DAW if you notice the peaks of one track align with the troughs of the other. Additionally, the audible sign of phase problems will be a thin, diminished sounding signal with no audible bass.

The easiest way to avoid phase problems is to ensure the overheads are an equal distance from both the center of the snare drum, and from where the kick drum beater hits the skin.

An easy way to do this is by using a long piece of string to measure the distance between the center of the snare drum skin and each of the overhead microphones.

Ready-to-record drums

With the mics set up and channels loaded, run a test take to check for any rattles, buzzes, or unwanted noise.

Each microphone should be delivering a clear signal into each respective channel in the DAW. First and foremost, don’t record things too hot! When you get levels from playing the drums, try to keep everything in the green. This helps avoid your signals from clipping and distorting.

At this point, once everything is set up to how you like and you are completely happy, it is very important to not move anything! To succeed with consistent results, you must not tamper with any microphone positions.

Recording drums tips

Moongel and tape are lifesavers when recording drums. They allow you to control the level of dampening to achieve your desired sound from the drums. When a drum might have too much ring, you can dampen the drum to get a more focused sound.

Play with consistency and even dynamics within parts of a song. You don’t want lots of fluctuations on the record. Smooth playing and controlled dynamics will result in a great sounding drum recording.

Playing to a click track is highly recommended. In today’s world, people are so used to hearing perfect drums. People demand tight and consistent drumming because it’s what the music needs. The drummer plays a supporting role and the beat drives a song.

Hit the middle of the drum skins throughout the performance. It is easily audible when there are inconsistencies while hitting the drums. It is crucial the drums are balanced, clear, and punchy.

Practice, practice, practice! All of the effort going into obtaining great sounding drums will be wasted if your playing is sloppy and not up to scratch. Make sure you are well prepared and confident in your abilities to play at your very best for the session.

Ensure you have tightened all the stands and cymbal wingnuts so there is nothing loose or becomes undone during recording.

Relax and enjoy playing the drums! It’s in the state of relaxed concentration that we perform at our best. And trying too hard can create physical tension whilst playing – having a detrimental effect.

Trust in your own abilities. Instinctive, innermost confidence exists without you needing to search for it. You will be able to play at your peak performance without overthinking.

Mixing the drums

Next, now that you have recorded your best drum tracks, it’s time to process and mix the audio to really bring the drums to life. By mixing the raw drum stems you can focus and balance each individual part of the drum set.

There is a wide range of valuable production tools and effects that are used to enhance sound recordings. I will provide an overview and instructions on some of the most important tools used in sound recording.

When mixing audio you will need to use a high-quality pair of headphones or a pair of studio reference monitors.

This isn't a complete list of all sound recording tools. These are the essential ones for making drums sit well in a mix, adding clarity and punch.

The following will all be available as plugins within your digital audio workstation.

Panning

Panning is a tool that spreads a signal in a multi-channel sound field. It’s crucial for making up a complete stereo image and creates the impression of space within a mix.

Panning is important for mixing drums because it mimics the realistic effect of a drum set stage sound. Using panning creates a wide sounding drum set that can be heard from all sides.

The best way to pan drums is to pan the separate parts of the drum set how they appear before you as if you are playing the drums. This is called “Drummers Perspective”.

When panning the kick drum and snare drum panned dead center.

Pan the overheads fully left and right respectively.

Don’t pan the toms as extreme as the overheads. I pan the high tom to the left, middle tom slightly right and floor tom to the right.

EQ

EQ is a corrective and creative tool used within sound recording and reproduction to correct frequency responses using linear filters. It is used to strengthen or weaken frequency bands to alter a signal’s sound.

What this means is that EQ allows you to adjust the frequencies of a signal to improve how it sounds.

EQ is your best friend in recording. It is incredibly important for balancing sounds to create a mix that allows a listener to hear all the individual parts of a drum set with clarity.

Use your ears when using EQ for your drums – they are the most valuable tools at your disposal. To get your drum sounds in the right ballpark, here are some engineer-approved tips for drums:

Kick EQ – Adding a bump at 60Hz will give you some thick low-end. Add 3-5kHz for some ‘knock’ and some 10kHz for some click. Try cutting around 400-500Hz, this will stop your bass drum from sounding like a cardboard box.

Snare EQ – If you want your snare to hit you in the chest, add a bump at 150-200Hz. For more body to your snare add the frequencies around 500Hz. And for more attack, add 5kHz.

Toms EQ – For toms you want to reduce boxiness and increase thump and attack. Add 100Hz for some thump and 3-5kHz for clarity. Cut the mid frequencies for toms to remove the boxy sound, but be sure to leave some left so the toms don’t sound hollow.

Overheads EQ: Boost upper mids and highs while reducing boxiness in lower frequencies. If the close-mics are all sounding great you can use a high-pass filter to cut out everything below 500Hz.

Compression

Compression is the process of lessening the dynamic range between the loudest and quietest parts of an audio signal.

The goal of compression is to even out unwanted level variations of a signal. For drums, this means turning down louder hits to match softer hits in order to make the drum sounds more balanced overall.

Compression is a fairly complex tool, and there is no ‘one-size fits all’ compression setting. But proper use of compression will help smoothen out the shape of the drums and keep dynamics under control.

Threshold – When compressing drums, we generally want the entire drum signal to be compressed. You’ll want to set your threshold low enough that any drum signal can trigger it.

Attack – Nearly all the drum’s punch is found in the initial milliseconds of the drum sound. This is the “attack”. A good starting point is to set an attack of 30ms and to adjust from there.

Release – Ideally, you want to set the release to be fast enough so the compression switches off before the next hit. A good starting point is around 200ms.

Ratio – The ratio determines how much the output signal increases based on the input signal. Lower ratios will provide more punch, and I would try a ratio of 3:1 or 4:1 to start with.

Reverb

It is another essential tool in modern recording. Reverb exists all around us, and within music production, the aim is to emulate a natural acoustic environment for your sounds.

Specifically, digital reverb plugins mimic the way a real acoustic space works. They are designed to simulate reflections, echoes, and the decay of high versus low frequencies.

Reverb is important for bringing life to drums and to make them sound punchy, lifelike, and full within a mix.

Use your ears to achieve an optimal balance for reverb. Even if you want explosive drum sounds, don’t go overboard. The choice of reverb will need to fit with the emotional quality of a song and its mix.

There are five main categories of reverb. Use your ears and experiment with the different types of reverb and see what works best with your drum sounds.

• Room
• Hall
• Chamber
• Spring
• Plate

Alternative configurations for recording drums

Recording drums with 2 mics is effective for good sound with minimal setup, but it sacrifices some clarity and depth.

However, recording drums with just a couple of microphones is more convenient and inexpensive when compared to using a complete set of drum microphones.

Recording drums with 2 mics typically requires using a kick drum mic, which will be paired with one overhead microphone. The goal is to capture a balanced, full-sounding drum set from this microphone pairing.

For example, Ilan Rubin, the drummer of Nine Inch Nails, demonstrates the capabilities of dual microphone pairing. He showcases this technique in the video. The drums sound amazing considering it’s recorded with only 2 microphones.

Final thoughts on how to record drums

Whether you are learning to record drums from home or renting a studio, I hope this guide provides valuable information. Use these insights to capture great drum sounds.

I have recorded drums in professional studios and from home with the very same set up listed in this guide. Following these steps and taking a careful approach will reward you with great sounds!

You will learn and discover new things by making some mistakes along the way. But don’t be put off or get frustrated because this is somewhat inevitable! If you feel stuck there are online communities and forums with engineers and drummers who, from my experience, are keen to help.

Patience truly is key when it comes to recording drums. Recording drums at home is a valuable and rewarding skill. And it’s never been easier to record and mix quality drums with a computer, interface, microphones, and a drum set.

It's fun, creative, and rewarding. Start practicing and set up your drums and microphones to record amazing drum sounds from home.
Happy recording!

 

Gideon Waxman is a London based drummer and music educator, who holds a Bachelor of Music degree from the University of Westminster. You can find more of his advice over at Drum Helper - one of the web's most popular free online drumming resources.

Original article - https://drumhelper.com/guides/recording-drums/